X-Men: Apocalypse 2016 Full Movie Bluray Stream

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• Title: X-Men: Apocalypse
• Year: 2016
• Duration: 2h 24m
• Rating: 6.9
• Genres: Adventure, Sci-Fi, Action

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Summary X-Men: Apocalypse 2016

In the 1980s the X-Men must defeat an ancient all-powerful mutant, En Sabah Nur, who intends to thrive through bringing destruction to the world.

Since the dawn of civilization, he was worshiped as a god. Apocalypse, the first and most powerful mutant from Marvel's X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto, to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven with the help of Professor X must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction.

When the first mutant En Sabah Nur, who was worshiped as a god In Egypt, awakes in the present days, he learns how the world has been transformed in his absence. He decides to bring the Apocalypse to the world and recruits four powerful mutants to assist him in the destruction of the weak. Now the only chance to save the world depends on Professor Charles Xavier and a team of young mutants.

Since the dawn of existence, there has been an ancient being named En Sabah Nur who is believed by many to be the world's very first mutant. Awakened in 1983 after thousands of years in a deep slumber, he plans to rule the world and wipe out mankind with help from four new recruits (Storm, Psylocke, Angel and Magneto). With the fate of the world in uncertainty, Professor Xavier along with Raven, Hank and old ally Moira McTaggert, must lead a new generation of X-Men to fight the deadliest enemy they've ever faced.

In 3600 BCE the mutant En Sabah Nur rules ancient Egypt until he is entombed alive. After being resurrected in 1983, he believes humanity has lost its way. Aiming to destroy and remake the world with the help of four evil followers, he recruits Ororo Munroe and upgrades her power. In East Berlin shape-shifting mutant Raven discovers Kurt Wagner, while En Sabah Nur recruits Psylocke and Angel, and enhances both of their powers. Can Professor Charles Xavier's students defeat Apocalypse and save the world from destruction?

After the catastrophic events in X-Men: Days of Future Past (2014), and with humanity still divided on whether the super-humans among us pose a threat or not, the all-powerful En Sabah Nur--or Apocalypse, the world's first mutant--awakens from the depths of an era where gods walked among the mortals. Disenchanted with the modern early-1980s world, Apocalypse enlists the help of the mighty mutants--Angel, Ororo Munroe, Psylocke, and a pained Magneto--to destroy our corrupt Earth, and from the ashes, witness the rise of a new world order. Now, with so much at stake, the shape-shifting Mystique and Professor Charles Xavier's loyal team of defenders are mankind's last hope. Will the X-Men live to fight another day?

Synopsis X-Men: Apocalypse 2016

Nile Valley, 3,600 B.C.

The people of Egypt are bowing down and chanting the name of En Sabah Nur (the ancient Egyptian language for 'Apocalypse'), a powerful being. He is brought into his pyramid by his Four Horsemen - Pestilence (Warren Scherer), Famine (Rochelle Okoye), Death (Monique Ganderton), and War (Fraser Aitcheson). They are set to begin a process to transfer En Sabah Nur's consciousness into the body of a younger successor (Oscar Isaac). As the sun hits the top of the pyramid, the process begins. Outside, the citizens of Egypt turn on their leader and send massive pillars sliding down into the pyramid to kill En Sabah Nur and the Horsemen. The Horsemen fight back against the other Egyptians as the pillars begin to destroy the pyramid. Death manages to form a protective shield on the successor before she and everyone else is crushed. The process is complete, but En Sabah Nur remains trapped beneath the rubble.

We jump to Ohio in the year 1983. A high school classroom is discussing the events of 10 years earlier when Erik Lensherr/Magneto (Michael Fassbender) attacked the peace summit in Paris, and Raven Darkholme/Mystique (Jennifer Lawrence) stopped him. One student, Scott Summers (Tye Sheridan), complains that his eyes are hurting. A classmate mistakes it as him winking at his girlfriend. The teacher tells Scott to report to the principal's office but he retreats to the bathroom and hides in a stall. The classmate enters and threatens to beat him. Scott then opens his eyes and releases a powerful blast that knocks the other kid against the wall and causes significant damage to the walls and ceiling.

In West Berlin, a bunch of people are gathered in a secret location to witness the mutant Angel (Ben Hardy) fighting a large fat mutant (possibly Blob). After taking him out, Angel prepares for his next challenger. Some men bring in the challenger locked inside a box. He is Kurt Wagner/Nightcrawler (Kodi Smit-McPhee). Nightcrawler is able to teleport as far as he can see, but within the cage where they fight is an electrical lining that prevents him from escaping. Meanwhile, Raven has made it in and she increases the voltage in the cage. Nightcrawler manages to take Angel down and pin him against the cage, frying Angel's wings. With Raven's help, Nightcrawler escapes the place.

Lensherr now lives in Poland under the name Henryk Gorzky. He works at a metal foundry and has a wife, Magda (Carolina Bartczak), and a daughter, Nina (T.J. McGibbon). Erik tells Nina a bedtime story that he heard from his parents. She asks him what happened to them, and Erik explains how his parents were taken from him.

Scott's brother Alex/Havok (Lucas Till) takes him to Xavier's School For Gifted Youngsters with bandages over his eyes to prevent another incident. Scott meets Hank McCoy/Beast (Nicholas Hoult), who is now a teacher, and then bumps into Jean Grey (Sophie Turner), a telepathic mutant. Alex brings Scott to Charles Xavier (James McAvoy). Scott removes his bandages to hit a target, but he ends up splitting a tree that Charles's grandfather planted. Highly impressed, Charles says Scott is enrolled.

Meanwhile, Raven brings Nightcrawler to a location where a mutant named Caliban (Tomas Lemarquis) is helping other mutants create fake IDs and passports. Nightcrawler gets his picture taken so that Raven can take him to the U.S.

In Egypt, an archeologist named Moira MacTaggert (Rose Byrne) discovers a hidden underground chamber that leads to the resting place of En Sabah Nur. A group of his followers recite a chant that revives him in his fully powered Apocalypse form. The followers are buried by the ensuing explosion, while Moira manages to get out. The explosion triggers an earthquake that can be felt throughout most of the continent and in Europe, including in Erik's workplace, where a large vat of molten metal falls and nearly crushes a man but Erik manages to manipulate it to save the man.

At night, the students at school feel that something is wrong. Charles tells them all to stay in their rooms. He goes into Jean's room where he finds she's trembling and moaning. Charles looks inside her head and sees what she is dreaming of: she sees visions of chaos and destruction. Jean awakens and claims she saw the end of the world. She fears her powers, but Charles assures her that her power is great.

Back in Egypt, Ororo Monroe/Storm (Alexandra Shipp) uses her power of weather manipulation to create a brief sandstorm that allows her to rob two men. They chase after her, which Apocalypse sees after witnessing her power. He follows the men as they prepare to cut off her hand. Using his own power, Apocalypse decapitates three other men with sand, while he traps the last man within a nearby wall.

Elsewhere, Erik tells Magda that they need to leave after feeling he has been exposed. They call for Nina, but she is not in her room or in the yard. Erik hears a noise in the woods, which he and Magda follow. Nina is being held by an officer leading a group of other officers. They confront Erik regarding the incident at the factory, as well as his attack on the White House a decade earlier. He confesses to it and pleads for Nina to be let go. She is released and goes back to her mother. Erik joins the other officers, but Nina yells at the men to not take her father away. The sound of her voice (she's a mutant) causes the birds flying up above to attack the officers. One officer with a bow and arrow accidentally releases it, impaling both Nina and Magda. Erik runs to his family and cries. He takes off Nina's necklace and uses as a high-powered projectile to kill all the men.

Charles and Hank go to Cerebro to find out what happened with the earthquake. He locates Moira in Egypt, clearly still in love with her. Charles and Alex take a trip to Langley at the CIA headquarters to visit Moira. She doesn't remember knowing Charles since he wiped her memories, but she still knows who he is. Moira explains that she was investigating En Sabah Nur's whereabouts and history, going into detail about his motives and followers, the Horsemen, and how he would give them special powers to aid him in destroying whatever they wanted.

Ororo then brings Apocalypse to her home. She has a poster of Mystique, whom she considers to be her hero. Apocalypse places his hand on the TV to catch himself up on the last few thousands of years. Based on what he's seen, he determines that man has lost his way, and the world must be cleansed in order to be saved. He places his hand on Ororo and gives her powers added strength.

Raven brings Nightcrawler to the school. He meets Jubilee (Lana Condor), Jean, and Scott (who now has red-tinted crystal eyeglasses that help him see without hurting anyone). They decide to hang out at the mall and watch "Return of the Jedi."

Apocalypse and Storm then go to Caliban's facility to look for more powerful mutants. Caliban draws his gun on Apocalypse, but he turns it and the bullets to dust. As they step closer, Caliban is defended by Psylocke (Olivia Munn), a mutant with her own metal sword and a psychic katana. Clearly impressed, Apocalypse gives her an upgraded power.

Psylocke leads Apocalypse and Storm to their next recruit. They find Angel in an abandoned building, where he is drinking and blasting Metallica, clearly not the same fighter he was before. Apocalypse turns his wings into metal with bladed feathers.

Peter Maximoff/Quicksilver (Evan Peters) is watching a news report on Magneto. His mother comes downstairs and he pretends to have been playing the video game Mrs. Pac-Man. She knows what he was really watching and why he was watching it.

Erik returns to the factory to confront his co-workers since they spoke to the police. He prepares to kill them all until Apocalypse, Storm, Psylocke, and Angel emerge. Apocalypse sinks the men beneath the ground and brings Erik to Auschwitz where he first used his powers and where he lost his family. Apocalypse encourages him to manipulate the metal in the earth, and to use his anger to fuel his energy. Erik begins to destroy the other buildings around him as Apocalypse vows to build a better world.

Charles brings Raven, Hank, Alex, and Moira down to Cerebro to locate Erik. Charles finds him as Magneto once again, now having joined Apocalypse and the Horsemen. As Magneto speaks to Charles, Apocalypse sees the opportunity to link his mind to Charles's, which also lets him get into Cerebro and connect to anyone he wants. Apocalypse manipulates officials around the globe to launch all of their nukes into space so that no one, human or mutant, can stop him. Charles is overwhelmed by Apocalypse's power. He orders Alex to destroy Cerebro, which he does. The others pull Charles out of the room, only to encounter Apocalypse and the Horsemen appearing before them. Magneto pulls Charles in his chair and takes him. Alex releases a blast that causes a powerful explosion. Outside, Quicksilver arrives in time to do a power run through the school and evacuate everyone before the entire school is destroyed. However, he failed to save Alex, which Scott finds out about just as he and his friends return. He breaks down at the revelation.

A chopper then descends to the ground. Moira approaches them, thinking they are part of another agency, until the leader steps out and removes his mask. It's William Stryker (Josh Helman). His men fire a sonic blast that incapacitates everyone, except for Scott, Jean, and Nightcrawler. Jean manages to keep them hidden by manipulating the mind of one of Stryker's men. Stryker captures Raven, Moira, Hank, and Peter. Nightcrawler teleports himself, Scott, and Jean into their chopper, but he cannot get anyone out because of the electrical lining within.

Stryker takes everyone to his facility and traps Moira and the mutants in a room. Hank has re-mutated to Beast since he left his meds at home. Scott, Jean, and Nightcrawler sneak by the guards until they are spotted, forcing Nightcrawler to teleport them again. Simultaneously, Apocalypse brings Charles and the Horsemen to his old home and uses Charles to send a message to everyone on the planet, but Charles manages to get a hidden message to Jean to help her.

In the cell, Peter admits to Raven that Magneto is his father, and he was hoping to be able to tell him.

The three then come across a room with a chamber that has something locked up, angry and growling. As the guards approach, Jean opens the chamber, unleashing Weapon X ...aka WOLVERINE (Hugh Jackman). He gets his metal claws out and slaughters all the guards until he reaches an exit. Jean stops Wolverine and gently removes his brainwashing mechanism. She taps into his mind and gives him back the memories she could reach. Without a word, Wolverine retreats outside. The three then reach the cell, and Scott blasts the cell door open to release Moira and the mutants.

Apocalypse destroys part of Egypt to recreate his own pyramid, and then gets Magneto to manipulate the magnetic poles to cause global destruction. Apocalypse then tells Charles he has the most important role in his plan. He wants to transfer his consciousness into Charles so that he can control everyone on the planet.

Moira and the mutants fly toward Cairo to rescue Charles and defeat Apocalypse. Raven tells the others about her old team, and how she and Hank are the only ones left. Jean tells Raven she's a hero, but she doesn't see herself that way.

The team reaches Cairo for the showdown. Beast and the young trio prepare for battle while Quicksilver and Raven (morphing into her natural Mystique form) head toward Magneto. She urges the trio to not hold back on their powers. Mystique and Quicksilver reach Magneto in the middle of his destruction, trying to convince him to fight for the good, with Mystique assuring him he has more family than he realizes. Quicksilver is about to tell Magneto of their relation, but he holds it back.

Storm, Angel, and Psylocke come down and fight. Storm hurls lightning toward Scott, which he deflects with his beams. Psylocke uses her blades against Beast. Angel goes for a rematch with Nightcrawler. Nightcrawler traps Angel and heads into the pyramid to get Charles out in the middle of the transfer process. They and the other heroes make it back into their jet, but Angel and Psylocke reach them and try to break in. Nightcrawler gets everyone out of the jet as it crashes to the ground, killing Angel while Psylocke jumps to safety.

An infuriated Apocalypse catches Quicksilver as he uses his super-speed to get some punches in, but Apocalypse traps his foot in the ground and breaks his leg. He orders Psylocke to execute him. Psylocke uses her katana to slash Apocalypse's throat. He grabs her by the neck, revealing Mystique in disguise. Storm watches as Apocalypse is killing her hero.

The others are in a building for safety. Charles realizes he is still connected to Apocalypse and decides to fight him in their shared consciousness. Charles initially appears to have the upper hand, but Apocalypse overpowers him and starts trying to kill him. Magneto then turns on Apocalypse after realizing what side he's meant to fight on. As he holds Apocalypse off, Charles reaches Jean and gets her to tap into the fight with her mind. She manages to unleash her full Phoenix Force power to overwhelm Apocalypse. As he weakens, he tries to escape, but Storm uses her lightning to prevent him for leaving. Apocalypse's form deteriorates until he is finally disintegrated. After the battle, Psylocke quietly walks away.

The team returns home. Erik and Jean help rebuild the school to its original form. Ororo asks Peter if he'll tell Erik he is Erik's son. He says he will eventually. He and Ororo decide to stick around.

Although Charles asks Erik to stay, he chooses to leave, but he remains friends with Charles. Charles then goes to the Danger Room where Mystique is about to train Scott (now Cyclops), Jean, Storm, Quicksilver, and Nightcrawler into becoming true X-Men. A simulation then begins in which the students must battle Sentinels.

After the end credits, a team of agents are at Stryker's facility. One man takes a sample of Wolverine's blood and puts it in a briefcase... which belongs to the Essex Corporation.

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Hidden Figures 2016 Full Movie Free Stream

Stream Hidden Figures 2016 Online Free Movie Streaming

• Title: Hidden Figures
• Year: 2016
• Duration: 2h 7m
• Rating: 7.8
• Genres: Drama, History, Biography

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Summary Hidden Figures 2016

The story of a team of female African-American mathematicians who served a vital role in NASA during the early years of the U.S. space program.

As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.

Approximately one year (early 1961 to early 1962) - what is the height of the American-Soviet space race - in the life of three female friends who worked in the female African-American computing section of NASA at Langley, is presented. Their largely unheralded at the time contributions to the advancement of the American space program are dramatized, their contributions which they were able to achieve despite facing both gender and race issues, the latter as much of the US, including NASA, was still segregated. Mary Jackson, assigned to the space capsule heat shield team, is encouraged by one of the engineers on the team to apply for one of the more senior engineering positions, he seeing her expertise. In what ends up being the Catch-22, Mary does not have the necessary qualifications for the promotion, and cannot get those qualifications as the extension courses are not taught in any high school accessible to African-Americans in Hampton where she lives. Her struggles are exacerbated by her husband Levi Jackson, a civil rights activist who only sees the advancement of African-Americans in a narrow view. Dorothy Vaughan has been acting supervisor of the section, only having the responsibilities but not the title or the associated pay. Dorothy believes not getting that promotion is largely the doing of her Caucasian supervisor, Vivian Mitchell. With the first IBM mainframe computer just having been purchased at NASA, Dorothy, with the odds stacked against her, tries to learn as much as she can on her own about its workings to make herself and the entire African-American female computing section relevant in this changing time. And widowed mother Katherine Gobel is the mathematical genius whose expertise in analytical geometry gets her assigned to the Space Task Group under the lead of Al Harrison, a no nonsense man who wants the job done at any cost. To get to Harrison, Katherine has to go through lead engineer Paul Stafford, who sees her as an irrelevant underling, he always falling on the excuse of clearance to quash Katherine's ability to do her job effectively. Her burgeoning romance with National Guardsman Jim Johnson is also dramatized, their relationship despite their rocky start.

The untold story of Katherine G. Johnson, Dorothy Vaughan and Mary Jackson brilliant African-American women working at NASA and serving as the brains behind one of the greatest operations in history the launch of astronaut John Glenn into orbit. The visionary trio crossed all gender and race lines to inspire generations to dream big.

Synopsis Hidden Figures 2016

BASED ON A TRUE STORY

The film opens in White Sulphur Springs, West Virginia in 1926. A young Katherine Coleman (Lidya Jewett) is waiting, naming the geometric shapes in a stained glass window, while her parents talk to a school official. The official wants to sent Katherine to a school for gifted students -- she's an advanced student and a genius at math. The only such school for "colored" students starts at the sixth grade and Katherine is only eight, so she will have to skip several grades. That worries her parents, but they agree it will be best for her, even though the family will have to move. Katherine's teacher gives her parents some money to help with the move, from a collection all the teachers contributed to.

At the new school, a teacher asks Katherine to tackle an algebra problem on the blackboard; the camera zooms in on the teacher's hand as he passes Katherine the chalk. Katherine solves the problem without hesitation, then turns around and explains it to her teenaged classmates.

In Hampton, Virginia, in 1961, an adult Katherine (Taraji P. Henson), now Katherine Goble, is stuck on the side of the road with the two co-workers she carpools with, Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe). A racist police officer stops and asks for identification. When they explain that they work at NASA, he changes his tune; he's surprised they hire black women, but he's impressed. He seems very well-versed in NASA and asserts that the Americans have to beat the Russians in the Space Race. He asks if they've met the astronauts; Mary answers that they have but it's clear from the others' expressions that they're kept separate from them. Dorothy manages to get the car up and running and the police officer provides them an escort -- lights and sirens blazing -- to the NASA Langley Research Center, which they find ironic since it's not usually a group of black people speeding to follow a police car.

The Space Task Group watches a newsreel about Russia's launch of Sputnik 1, the first artificial satellite. In the ensuing discussion, leaders worry that the Soviets' access to space could allow them to spy on America. The man in charge demands that Al Harrison (Kevin Costner) get them up there because they can't justify the cost of a space program that doesn't put anyone in space. A man in the crowd, Paul Stafford (Jim Parsons), makes a snooty comment and is asked what his position is. He explains he is the head engineer.

The three women work at the West Area Computing division, segregated from the rest of Langley Research Center, along with many other black women who work as computers -- meaning they do math by hand. Dorothy gives out new assignments to the group. Mary wants to work as an engineer but she is told she is going to be assisting the male engineers. Vivian Mitchell (Kirsten Dunst), Dorothy's boss, comes in to talk to Dorothy. She tells her the Space Task Group needs a new computer who can do analytic geometry. Dorothy assigns Katherine because she knows analytic geometry and she's the all-around best at numbers.

Vivian (whom the black women all address as Mrs. Mitchell, though she calls them by their first names) escorts Katherine to the Flight Research Division elsewhere on the campus, telling her that the dress code for women is skirts below the knee and no jewelry except maybe pearls. She tells Katherine the department she's joining is demanding and has dismissed several computers lately; she doesn't expect Katherine to last long. She warns her not to speak to the department head, Mr. Harrison, unless he speaks to her first. Vivian notes that they've never had a colored person in that department and admonishes Katherine not to embarrass her. Katherine enters the large area where white men are working, some at desks and some at equations on blackboards so tall they need ladders. Mr. Harrison's glass-walled office overlooks the work area. Katherine is mistaken for a janitor and the men act rudely towards her.

In the engineering department, Mary carries her papers through a sealed chamber where a space capsule is about to undergo wind tunnel testing; she stops to admire it. As the test countdown nears zero, the heel of her shoe gets caught in a grate on the floor and she can't pry it loose. The male engineers in the observation room shout that her life is not worth a shoe so she abandons it and joins the engineers behind the glass. The space capsule fails the wind test -- many of its louvered exterior heat shielding panels fly off. Mary and the engineers examine it and the head engineer, Karl Zielinski (Olek Krupa), muses that they could use a corrugated heat shield. Mary suggests that they try different fasteners for the existing panels instead. Zielinski says she ought to be an engineer, and she says that she's a negro woman, and she's "not gonna entertain the impossible." He asks, if she was a white man, would she wish to be an engineer? She responds that she wouldn't have to; she'd already be one. Mary explains that the only schools that have the programs needed to become an engineer are off limits to colored people.

Dorothy asks Vivian if she can be promoted to supervisor since she's doing the work of a supervisor already. But Vivian refuses -- claiming it's not her call -- which Dorothy has to remain diplomatic about because otherwise she might lose her job. Meanwhile, Katherine is given a lot of work to check by Paul Stafford, who is short with her, telling her his numbers are perfect and he needs them checked by the end of the day. He has also blacked out a lot of information as if Katherine couldn't be trusted with it, saying she doesn't have a high enough security clearance. She has to hold it up to the light to read it because she can't solve the problems otherwise.

Time passes and Katherine needs to use the restroom. She asks Ruth (Kimberly Quinn), who's white and the only other woman in the department, where it is and is told, "I don't know where YOUR bathroom is." Katherine goes outside, needing to pee, but realizes the bathroom in that building is for white women only and she can't sneak in because some white women are loitering nearby. She has to leave the building and run half a mile to the colored women's bathroom in the West Area Computing division she used to work in. She brings her work with her and continues to proof it while she pees.

That night, Dorothy is in a bad mood as she drives the other two home, complaining about Vivian not making her a supervisor when she's been working as one for years. Katherine gets home and finds her three daughters fighting in their bedroom. (It turns out Katherine is a widow, and her mother (Donna Biscoe) takes care of her children while she works.) The young ones want to know why the oldest sister gets her own bed. Katherine says if they want to take on the same chores and responsibilities, they can earn the right to the bed. The younger girls agree they are fine sharing. They complain that their mom has been gone for a long time and she cites her new position as the cause.

The three women go to church with their families and a handsome colonel (Mahershala Ali) catches Katherine's eye. At the barbecue afterwards, Mary signals for the man, Jim Johnson, to come over and talk to Katherine. He does, and Dorothy and Mary make themselves scarce. Jim and Katherine flirt with each other, but he gets off on the wrong foot when he hears about her work at NASA, expressing surprise that they "let women" do something "so taxing." She tells him off and marches away.

Back at NASA, Katherine pours herself a cup of coffee, which makes all the white people in the Space Task Group stare at her in disapproving surprise -- in segregated Virginia, white and colored people don't usually drink from the same pot. Nobody says anything, but the next day when Katherine looks for coffee she finds a separate pot labeled "Colored."

Al Harrison joins the group and asks if anyone wants to take a crack at an equation on a large chalkboard that has gone unsolved. Nobody notices but Katherine steps up and does the math. Time passes and Al asks who solved the problem. When Katherine admits she did, he asks what she does and Katherine tells him she is checking work. She shows him and he asks how she's able to work with all the blacked out sections. She demonstrates that you can read the blacked-out text if you hold the paper up to the light. She requests that she get uncensored reports in the future. Al agrees, saying that she's not a Russian spy so there's no reason to keep information from her. Stafford, who is in Harrison's office during this exchange, is chagrined.

The NASA employees are gathered out on the launch site to meet the astronauts, including John Glenn (Glen Powell). Glenn will later pilot the Friendship 7, becoming the first American in orbit. He is discouraged from greeting the black women, who are standing apart from the white employees, but he comes over anyway and proves to be friendly.

At a party where many couples are dancing to music on the radio, Col. Johnson approaches Katherine, who's very reserved and clearly still thinking about what he said about her work when they first met. He asks her to dance and apologizes for disrespecting her. They see each other often during the next months.

Katherine is assigned to write up reports and, because the majority of the research is hers, puts her name on the byline after Paul Stafford's. When Stafford sees it, he makes her retype the cover sheet without her name because computers aren't allowed to author reports.

On a rainy day, Katherine sprints the long distance to use the colored women's rest room. Al Harrison comes to her desk looking for her, but -- not for the first time -- she's missing. When she returns, Harrison asks her why she is gone for so long every day. Soaking wet, Katherine launches into a tirade about how she has to run half a mile to the west campus to use the colored women's rest room because there's no toilet she's allowed to use in the building they're working in. She adds that she's not allowed to drink coffee from the same pot as everyone else and she's been forbidden to wear any jewelry other than pearls, but she's never owned any -- NASA doesn't pay colored computers enough to afford pearls. Al listens closely. He doesn't say anything, but after Katherine storms out, he walks over to the coffee station and rips the "Colored" label off her coffee pot. In the next scene, a crowd watches as Al attacks the COLORED WOMEN bathroom sign in the West Area Computing division with a crowbar. When it falls, he says from now on, there will be no segregation of bathrooms: "Here at NASA, we all pee the same color."

Dorothy has been curious about a large empty room near her office with windows facing the hallway. When she sees that a big digital computer has been installed there, she sneaks in and studies the IBM machine they've set up. Later, she takes her children to the library and finds a book on FORTRAN programming. A white woman spots her and complains she's in the wrong section. Dorothy tells her that they didn't have the book she wanted in the colored section. She is kicked out of the library but once on the bus, she reveals to her children that she has taken the FORTRAN book with her. When her son asks her about it, Dorothy says she's a taxpayer and the library is government-owned so she's entitled to take the book.

Tension between Katherine and Paul Stafford continue over the issue of credit for the reports they both contribute to, and a new problem arises: the details of the Friendship mission are changing so fast that her calculations are often wrong by the time she's done with them. Katherine argues that she needs to sit in on meetings where new information is presented, but Paul says dismissively that women aren't allowed. She tells Al Harrison that she wants to be included in the meetings since she is responsible for updating the launch calculations every time there's a change of any kind -- to the launch time, payload, landing location, etc -- and changes are discussed at almost every meeting. Al points out there's no protocol for women attending meetings but she responds there's no protocol for a man circling the Earth either. Katherine points out that he makes the rules because he's the boss -- he just needs to act like one. Despite Paul's protests, Al agrees to let her sit in, saying that they all work together or not at all. But he tells her to keep quiet.

Katherine follows Al into the meeting, which includes John Glenn and a lot of NASA big-wigs. One of them complains to Al that they need a way to figure out where Glenn's Friendship 7 space capsule will land. There's a long silence while Al contemplates the problem. Then he holds out a piece of chalk to Katherine and asks her to take a stab at it. The camera zooms in on the hand-off of the chalk, recreating the scene early in the movie when the teacher asks a much younger Katherine to step up to the blackboard. Katherine isn't prepared for this -- she thought she was there just to listen -- but she thinks it through and covers half the blackboard with a set of equations that predict, based on current plans, that Glenn will splash down at a particular latitude and longitude near the Bahamas. No one can see any flaws in her logic or her numbers, so they're all impressed, including John Glenn.

Mary goes to a judge and asks if she can attend a school that does not allow colored people so she can get a degree in engineering. She is granted permission to enroll exclusively in night classes, making her the first colored woman to attend. She goes to class and the white students are taken aback but it does not bother her.

Dorothy has been reading IBM documentation, brushing up on FORTRAN, and paying secret visits to the IBM computer in the data center. The men tasked with getting the machine working are having a hard time, and Al has threatened not to pay them. Dorothy has also asked some canny questions and discovered that once it proves its reliability, the IBM -- which can run computations many times faster than a whole room full of human computers -- will replace her West Area Computing unit. One evening in the data center, Dorothy notices that one of the cables on the IBM's patch panel is in the wrong place and reconnects it correctly, which fixes the problem the men were having. Dorothy is testing a program on a set of punch cards when the male technicians rush in and ask her what she's doing. They're terrified that she might break something until they realize that Dorothy, puttering around in her spare time, has managed a feat that has eluded them for weeks: she's gotten the computer to run a program and produce meaningful results.

When Vivian notes that they're short on computer programmers, Dorothy reveals that she has become proficient in FORTRAN, and she's been teaching the computers in her group about FORTRAN and the IBM machine. She arranges for all 30 of the women she supervises to come along and join the data center staff. Dorothy tells the women that they've all been reassigned and they walk as a group to their new department.

One evening Katherine comes home to find her daughters dressed up and her dinner table set for a special occasion. She asks her mother what's going on and Mrs. Coleman says it's not her secret to tell. Jim Johnson comes out of the kitchen with a plate of food -- he's cooked them dinner -- and a small jeweler's box, which he puts on the table in front of Katherine. She says yes before he gets his proposal out, though he follows up with touching words about how he's joining the family, not just marrying Katherine.

With John Glenn's launch approaching, Katherine continues calculating trajectories and writing reports, but now she can include her own name in the bylines: her value to the project is fully recognized and Paul has finally gotten past his racist resentment. He even brings her coffee while she's typing. But Al tells her that, now that Friendship 7 is about to be launched, the Space Task Group's need for Katherine has ended. Everyone in the department appreciates her and as she packs up her things, Ruth gives Katherine a wedding gift from the whole group: a string of pearls.

The day of the launch, Vivian runs into Dorothy in the bathroom. She apologizes to Dorothy for never making her supervisor. Vivian tells Dorothy she has nothing against the black women under her supervision and always did the best she could for them. Before walking out, Dorothy studies her and says pityingly, "I know you really believe that."

The whole world tunes in to watch John Glenn's launch. A problem arises in the control room when the IBM computer's calculations for Glenn's flight don't match the previous day's. One set of calculations must be wrong, and without the correct figures, it's not safe to take off. Glenn requests that Katherine do the math by hand because he trusts her brain more than he trusts the IBM machine. Al is able to locate her and she sits down to check the calculations at her old desk in the West Area Computing room. Katherine runs the numbers, identifies the correct set of figures, and races back to the control room to hand the notebook to Al, who is inside. The door is shut in Katherine's face. She stands outside, dejected, despite having saved the day. A long moment passes and then Al returns, handing her a pass that grants her access to the control room and ushering her inside with him.

Fifty million people watch the lift-off on television while Katherine and Al watch from the control room. We see the horizon from the space capsule as John Glenn pilots Friendship 7 into orbit. After successful orbits around Earth, Glenn notices a warning light: there's a problem with the fasteners for the heat shield. Mary, who's watching the launch on TV, realizes what's wrong and rushes to a payphone to call NASA. She tells them that Glenn must keep the retro pack in place during reentry, rather than jettisoning it as planned, because the retro pack's straps might keep the heat shield in place. If the heat shield blows away, the capsule will burn up as it reenters the atmosphere and Glenn will die. This advice is passed to Glenn, who's having a bumpy ride and soon reports that the capsule is growing very hot. But after a tense few minutes when the control room loses contact with Friendship 7, Mary's advice proves good -- the straps hold enough of the heat shield down to save Glenn's life, and he splashes down safely.

After the launch, the activity at NASA dies down. Vivian finally promotes Dorothy to supervisor in the Analysis and Computation Division and addresses her as Mrs. Vaughan. Mary gets her degree and becomes an engineer.

Katherine went on to calculate the trajectories for the 1969 Apollo 11 flight to the Moon and for Apollo 13, as well. President Obama awarded her the Presidential Medal of Freedom in 2015. In 2016, the Langley Research Center in Virginia where she worked was renamed the Katherine G. Johnson Computational Research Facility. She retired in 1986 and remains married to Jim Johnson to this day.

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Watch Shooter Full Movie In HD Online Free

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• Title: Shooter
• Year:
• Duration: unknown
• Rating: 7.5
• Genres: Action, Drama

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Summary Shooter

A conspiracy thriller that follows the journey of Bob Lee Swagger, a highly-decorated veteran who is coaxed back into action to prevent a plot to kill the President.

Based on the best-selling novel "Point of Impact" by Stephen Hunter, and the 2007 Paramount film starring Mark Wahlberg. The series, starring Ryan Phillippe, follows the journey of Bob Lee Swagger, a highly-decorated veteran who is coaxed back into action to prevent a plot to kill the President. When Swagger's former commanding officer Isaac Johnson solicits his expertise in a clandestine operation, Swagger discovers that he has been framed and must do everything in his power to protect his family and clear his name.

Synopsis Shooter

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Watch The Invisible Guest 2016 Full Movie Online Stream

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• Title: The Invisible Guest
• Year: 2016
• Duration: 1h 46m
• Rating: 8.1
• Genres: Drama, Crime, Mystery

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Summary The Invisible Guest 2016

A successful entrepreneur accused of murder and a witness preparation expert have less than three hours to come up with an impregnable defense.

Adrián Doria, a wealthy businessman named Man of the Year due to his high-tech company and his trade agreements with the Asian market, meets Virginia Goodman, a veteran lawyer expert in witness preparation and judicial declaration, recommended by Adrián's lawyer Felix Leiva in order to create a credible defense. Arrested by the police in a mountain hotel room with the corpse of his lover at his side, photographer Laura Vidal, Adrián talks Virginia about the crime and his relationship with Laura, revealing that both suffered a car crash where a man called Daniel Garrido died, and how Laura manipulated Adrián to avoid the jail by Daniel's death. At the same time that Félix is looking for a clue that it could change the course of the events, Virginia and Adrián keep talking about the case but her, unconvinced of the Adrián's testimony, forces him to clear the dark points of his history, in a puzzle where the truth and the lie are easily exchangeable.

Adrián Doria, a young, self-assured, international entrepreneur seems to have it all in life: wealth, recognition, fame, and, above all, a lovely family and a caring wife. However, his perfect life will crumble like a pack of cards when Doria finds himself locked up in a hotel room next to a dead body, standing accused of first-degree murder. Under those grave circumstances, as a last-minute eyewitness threatens to turn the case around, and with less than three hours to come up with an impregnable defence, Adrián enlists the help of the esteemed witness-preparation expert, Virginia Goodman. Now, time is against them, and as the night drags on, diverse interpretations of the same incident emerge. But, even though there can be more than one sides to a story, only one can be real. Who was the invisible guest?

A successful young businessman is accused of murdering his girlfriend. He hires a top-rate lawyer to defend him. She senses that he is not providing the full picture and questions him on the background to the murder, in particular an incident that occurred to the two of them a few months earlier.

Synopsis The Invisible Guest 2016

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Watch American Crime Story Full Movie Online Uk Streaming

Streaming American Crime Story Online Free Movie Streaming

• Title: American Crime Story
• Year:
• Duration: unknown
• Rating: 8.4
• Genres: Drama, Crime, Biography

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Summary American Crime Story

An anthology series centered around America's most notorious crimes and criminals.

The People v. O.J. Simpson: American Crime Story is a limited series that takes you inside the O.J. Simpson trial with a riveting look at the legal teams battling to convict or acquit the football legend of double homicide. Based on the book The Run of His Life: The People v. O.J. Simpson by Jeffrey Toobin, it explores the chaotic behind-the-scenes dealings and maneuvering on both sides of the court, and how a combination of prosecution overconfidence, defense shrewdness, and the LAPD's history with the city's African-American community gave a jury what it needed: reasonable doubt.

There are few truly unifying events in American life. When something happens that makes the entire country stop and take notice, we remember it forever. Everybody remembers where they were when O.J. Simpson, riding in a white Bronco, led the police on a low-speed chase all over Los Angeles. This marked the emergence of the 24-hour news cycle and the birth of reality television.

Told from the perspective of the lawyers, it explores the chaotic dealings behind closed doors and how prosecution overconfidence, defense shrewdness and shocking courtroom twists led to one of the most earth-shattering verdicts of all time.

Synopsis American Crime Story

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Watch La La Land 2016 Full Movie Live Stream

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• Title: La La Land
• Year: 2016
• Duration: 2h 8m
• Rating: 8
• Genres: Drama, Comedy, Music

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Summary La La Land 2016

While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.

Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

The story of aspiring actress Mia and dedicated jazz musician Sebastian, who struggle to make ends meet while pursuing their dreams in a city known for destroying hopes and breaking hearts. With modern-day Los Angeles as the backdrop, this musical about everyday life explores what more important: a once-in-a-lifetime love or the spotlight.

In Hollywood, Mia and Sebastian are struggling to make it in their respective respective careers, about which each has extreme passion. Mia is an actress who dropped out of college and moved from small-town Nevada five years ago to pursue her dream. She is enamored with old-tome Hollywood - the movies she grew up on - but hates the cattle-herding feeling of going on auditions and her belief that she needs to schmooze at social events to get ahead in the business. Sebastian is a jazz pianist, his style of jazz in the vein of traditionalists Charlie Parker and Thelonious Monk. He wants to do his part to preserve that tradition, especially as he knows that that style of music is dying. He has trouble emotionally playing music he doesn't like just to get a paying gig. He dreams of opening his own jazz club, most specifically in what used to be a famous jazz club that has since been converted to a tapas-bar-cum-salsa-dance-club. Partly because of their individual struggles and partly because of the situations, their first few chance meetings are antagonistic. But they eventually become attracted to each other largely because of the passion for their dreams that they see in each other. But there are many obstacles to a happily-ever-after. They may be able to endure the struggling-artist life for so long before those struggles take their toll. The pursuit of their individual dreams may take all their energies with nothing left for their relationship. And any compromise each may make in getting ahead may change the person with whom each has fallen in love.

Jammed in a wide stretch of highway in sun-kissed Los Angeles, the morning commuters--Sebastian, a suavely charming jazz pianist whom life's got him on the ropes, and Mia, a brilliant playwright waiting for her big break--are off to a bad start. Of course, Sebastian, a purist with an undiluted taste in music, has a serious plan for the future. On the other hand, Mia, an incurable romantic mesmerised by the allure of the old Hollywood, is consumed between meaningless auditions. These two proper L.A. dreamers are meant for each other--and as they keep running into each other under the city's starry nights and plum-hued sunrises--a magical old-school tap-dance romance timidly commences. Indeed, this is the kind of effervescent love that defies reason, that inspires one to have long walks while gazing at the Milky Way of the city's flickering lights; nevertheless, life is as exciting as it is challenging, and the two idealists begin to veer from their dreams. Does true love exist only in the movies? Do dreams ever come true?

While stuck in Los Angeles traffic, aspiring actress Mia Dolan has a moment of road rage with Sebastian Wilder, a struggling jazz pianist. After a bad day at work, Mia's subsequent audition goes poorly when the casting director takes a call in the middle of an emotional scene. That night, Mia's roommates take her to a lavish party in the Hollywood Hills, promising her that someone in the crowd could jump-start her career; but she is forced to walk home in disappointment after her car is towed. During a gig at a restaurant, Sebastian slips into a jazz improvisation despite warnings from the owner to only play songs from a traditional Christmas set-list. Mia overhears him playing as she passes by. Moved, she enters the restaurant, but Sebastian is fired for his disobedience. As he storms out, Mia attempts to compliment him, but he brushes her off..

Synopsis La La Land 2016

During the opening credits, the movie we are viewing is said to have been filmed in CINEMASCOPE (like the old-time musicals) and then the screen expands from box format to wide. We find ourselves on the 105/110 interchange in Los Angeles. People listen to various forms of music in their cars. Then one random woman (Reshma Gajjar) gets out of her vehicle and starts singing and dancing (ANOTHER DAY OF SUN) to camera (à la a musical), about how great it is being in sunny California. Someone else exits his car and joins her. Pretty soon, everyone has left their car and is singing the song while dancing in the street or on the cars that are parked via the traffic jam, everything synchronized for the full-length musical number.

The song ends and everyone gets back in their cars. We are told it is WINTER. Traffic finally begins to move. Inside her Toyota Prius, Mia (Emma Stone) appears to be talking to someone on the phone. In his classic car, Sebastian (Ryan Gosling) honks at her to move. We realize she isn't talking to anyone but is practicing for an upcoming audition. Sebastian goes around her, glaring, while she flips him off. She then murmurs that she should probably move as she's obstructing the traffic flow.

Mia works at a coffee shop on the Warner Bros lot, serving the employees of the studio. When a movie star comes in for coffee, the manager tells her it's on the house so she puts her money in the tip jar instead. Mia watches in awe as the movie star gets on a golf cart, being escorted to set. Then Mia's phone goes off, reminding her that she has an audition to get to. Mia rushes off so she won't be late and collides with a customer, spilling coffee all over her shirt. When Mia gets to the audition, she is wearing a jacket over her blouse. She does her reading, giving a really honest performance where she breaks into tears. But it goes unnoticed as someone appears in the window with a message. The casting directors interrupt Mia's audition while they talk to an assistant who tells them someone has called for them, which they say to relay that they'll return the call shortly. Mia is thanked even though they have neglected to watch her performance. She leaves the casting office and into the waiting area where everyone looks like her. Then she gets into the elevator where two other girls look like her and are wearing similar clothes, all presumably there for the same audition.

Mia returns home to the house she lives with three other aspiring actresses named Tracy (Callie Hernandez), Alexis (Jessica Rothe) and Caitlin (Sonoya Mizuno). They ask how her audition went but she doesn't want to discuss it. They are all going out to a Hollywood party at the home of someone in the film industry and suggest she goes along. She is reluctant but through a their persuasion in song (SOMEONE IN THE CROWD), Mia's roommates point out that someone might discover her if she attends and she can ascend from being just someone in the crowd. We see the party in a classic movie musical montage with close-ups of champagne being poured and creepy older men hitting on Mia. Time moves in slow-motion and the guests ballroom dance around her. The night has proven uneventful and Mia returns to her car only to realize she has parked in a tow away zone and her car is gone. She is forced to walk in heels down the canyon into the city. She walks around Hollywood and is distracted when she hears a beautiful jazz song being played on piano. It entices her to step into a restaurant/night club called Liptons, where she sees Sebastian playing the song.

We flashback to earlier in the day, when Sebastian is laying on his horn behind Mia in traffic. After he gets around her, Sebastian drives his car to a coffee stand. Across the street, he watches a club open for the day, that advertises Tunes & Tapas. He goes home to his run-down apartment, and his sister is there. He chastises her for putting her feet on a stool which he took from the street after a jazz club closed down, citing that one of his favorite jazz musicians had sat on it. In their conversation, it's evident that he loves jazz music and he tells her how his old club was closed down and turned into the Samba/Tapas place. His sister points out that all his bills are overdue and that he needs to start making money.

Later, Sebastian arrives at Lipton's for a piano gig. He talks to the club's manager (J.K. Simmons) about whether he can do some of his choices for songs. The manager refuses. He asks if he can do one as requested and then one of his own and is told no. He asks if he can do two as requested and then one of his own. The manager tells him all the songs should be as requested. So he begins to play Christmas songs, begrudgingly, as the patrons ignore him. After several holiday tunes, he begins to play his own piece. As fantasy, the lights in the club dim and he plays the piano in a spotlight. The piece (MIA & SEBASTIAN'S THEME) is beautiful. This is when Mia has stepped into the club. When Sebastian finishes, the fantasy fades and the lights come back up. The manager pulls him aside and tells him he's fired. Sebastian tries to convince him to give him another chance but is denied. Mia watches this whole exchange. As he passes her, she tries to tell him how moved she was by his music but he gives her a dirty look and pushes past her. This takes her aback and she is left speechless.

We're told it's now SPRING. We see a montage of Mia auditioning for different roles: Mia auditions again first for the role of a doctor, where she has to recite jargon that she doesn't understand; then the role of a police officer, reciting jargon she doesn't understand; and then she reads the role of a white woman trying to educate inner-city high school students, with the casting assistant reading the lines (''Why you trippin'?'') opposite her in monotone.

Mia ends at up at a pool party while an '80s cover band plays ''Take On Me'' by A-Ha. Mia is introduced to a young man who is a writer. He immediately goes into a spiel about how his career is blowing up and he's on everyone's radar; she excuses herself and ventures over to the band, only to see Sebastian is the keyboardist, wearing a hot red track suit akin to '80s fashion. The singer asks if anyone has any requests. She shouts out ''I Ran.'' Sebastian gives her a disapproving look, as the song only requires him to play the key-tar. The band plays ''I Ran'' by A Flock of Seagulls' with the lyrics ''I never thought I'd meet a girl like you'' and ''I ran, I ran so far away.'' After their set, Sebastian finds Mia and tells her she can't request ''I Ran'' because he's a serious musician. She playfully mocks his outfit and says she needs his wardrobe for an audition she has that week, for the role of a Serious Fireman. He asks what she does in life that puts her so high above him to critique, and she tells him she works at a coffee shop on the Warner Bros. lot. He chastises her for being just a barista, yet talking down to him, but is then called back to the band for another set.

After the event, the writer tries chatting Mia up again. She sees Sebastian leaving and calls out to him to get her keys from the valet, as a way to escape the conversation. He asks what car she drives. When she tells him it's a Toyota Prius, he notes that all the cars are Priuses. She tells him the one with the green ribbon. We cut to them walking down the canyon among parked cars. She mentions it's strange that they keep running into each other, and Sebastian agrees, wondering if it means something. Mia says she doubts it. Her remote car key fob isn't beeping. He tells her to put it under her chin to connect with the antenna, joking that it will give her cancer but she'll find her car faster so it's a fair trade-off. The two playfully bicker and then find themselves at the top of the canyon with a view of Los Angeles below, the sunset looking pink. They both joke that the view is nothing to look at. Sebastian begins singing to her (A LOVELY NIGHT) where he says it's a waste of a lovely night on two people who aren't interested in each other. Mia changes from her high heels into dance shoes and midway through she joins him in the duet. They move from singing to dancing together. When the song ends, she gets a call from Greg, who turns out to be her boyfriend. She then puts the fob under her chin and hears a chirp. She gets to her car and asks if he wants a ride. He says, no, he's parked just up the hill. She drives away downhill. He watches her go and then also heads downhill, walking a long distance back to his car, which it turns out was parked right outside the house where the party was held.

Mia is back at work at the coffee shop. A snooty woman asks her if a pastry is gluten-free. Mia tells her no. The woman demands a refund. She tells her she has to get her manager to approve that. When she approaches the manager, she is told that she has to work Friday, despite having an audition. She goes back to the counter and Sebastian is there; the only info he had about her was where she worked. She asked how he got onto the lot and he said he hightailed it past security and might need to hide in the restroom for a little bit. He asks when she's getting off work and she tells him in ten minutes. The lady who wants the refund demands service so Mia tries to take care of it at the register before realizing she still needs approval.

Sebastian and Mia leave the cafe and walk along the lot; they pass many different sets filming varied scenes. They are stopped and directed around a live shoot, which prompts Sebastian to say they film movies on his street all the time. He asks Mia why she wanted to be an actress. She says her aunt was an actress and when she'd visit Mia in Boulder City, Nevada, they'd go across the street to the library and check out old movies. She used to write plays and put on productions and always wanted to act. As they continue walking past the stages on the Warner Bros. lot, Mia then tells him about her last audition for a show that is ''Dangerous Minds'' meets ''The O.C.'' He suggests that she write her own material so she doesn't have to suffer at auditions, citing that Louis Armstrong did this. She confesses that she doesn't like jazz music. This inspires him to take her to a jazz club called The Lighthouse. As the band plays, Sebastian tries to explain to Mia his love for jazz, and why he thinks jazz is great. He also tells her that jazz is dying, and his dream is to open his own jazz club where they play whatever they want, whenever they want. Mia returns a missed phone call in a quiet corner of the club, and discovers she has a callback. Sebastian asks what it's for and she said it's the ''Dangerous Minds/O.C.'' show but it's not as bad as she made it out to be now that she has a callback. It's more like ''Rebel Without a Cause.'' He quotes the movie, but she doesn't know what he's referencing, and he realizes she hasn't actually seen the film. He tells her it's playing at the Rialto and they should see it together later that week. She agrees and they say goodbye.

Sebastian is then seen walking along a pier at sunset. He sings (CITY OF STARS) as he finds a man's hat on the pier, returns it to the owner, and spontaneously dances with the man's wife.

Mia goes to the callback for the show. One casting director texts on her phone while the other one just looks at her head shot instead of her. After she reads one line, he tells her "That's enough". She suggests doing it a different way but he won't let her. She is discouraged as she leaves and drives back home, but on her way she passes the Rialto, and begins to smile. Back at home, Mia is getting ready to go to the Rialto when her boyfriend, Greg (Finn Wittrock) arrives and reminds her they're going to dinner with his brother who just got into town. She doesn't have Sebastian's contact info so she isn't able to postpone their movie date.

Sebastian arrives at the theater, and waits outside for Mia. Meanwhile, Mia is at dinner while Greg has pompous conversation with his brother and his brother's date about all the exotic places they've traveled to. Mia looks up at the speaker, which begins playing MIA & SEBASTIAN'S THEME. She apologizes to Greg and leaves the restaurant, running toward the movie theater in heels. By this point, Sebastian has gone inside and the movie has already begun. Mia can't find Sebastian in the darkened theater so she stands up on the stage to scan the crowd, and Sebastian stands up once he notices her there. They watch the movie together, with the scene at the Griffith Observatory on the screen. Their hands slowly drift closer and closer until they touch. They hold hands. He leans in to kiss her and then the film breaks. The lights turn on and the moment is interrupted. Mia has an idea for a fun alternative.

The two end up at the Griffith Observatory, driving into the scene with a shot recreated from the film we saw moments before. They find an unlocked door around the back, and venture inside. They begin to dance around the halls and finally end up in the planetarium. Suddenly they float up to the dome ceiling, which is lit up with stars and find themselves in the stars. They dance in outer space, until they come back down to earth and finally have their first kiss.

It's now SUMMER. Mia and Sebastian are dating. She is writing a play, as Sebastian suggested. Her roommates ask for parts but she tells them it's a one-woman show. Sebastian arrives at her home but instead of coming to the door, he lays on his horn until she goes outside, annoying her roommates. What follows is a montage of the two of them on dates throughout the city, ending with the two of them at The Lighthouse, where Sebastian plays the piano and Mia dances with the other patrons. They sit down at a table together and are interrupted by a friend of Sebastian's, Keith (John Legend) who he had previously been in a jazz band with. Keith says his new band is looking for a piano player, and it pays, but Sebastian declines.

Back at Sebastian's apartment, Mia finishes performing her one-woman show for him, and he tells her it's incredible. She then shows him a logo for his club she made. She wants him to call it SEBS and he compliments that she used a music note for the apostrophe but he is set on the name Chicken on a Stick as an homage to jazz musician Charlie Parker, who got his nickname Bird because he loved eating chicken.

Later, Mia is on the phone with her mother. She is being asked about Sebastian and defensively tells her mom that he's going to open a jazz club but admits he doesn't have the money yet. She is insistent he is saving up though, even though he doesn't have a steady gig. Overhearing this, Sebastian is lost in his thoughts.

Sebastian decides to try out the gig with Keith and his band. Keith says they have a record deal, and a tour set up, and they can pay him $1,000 a week, plus a cut of tickets and merchandising. Sebastian is momentarily speechless at this. They rehearse a song that begins as the type of jazz Sebastian is used to, then Keith adds in electronic, modern noises and Sebastian is thrown off, but he tries to continue playing. Keith pulls Sebastian aside afterwards and notes that Sebastian has always been difficult because he's a traditionalist but young people don't like that kind of jazz music it has to be modernized to appeal to them and Sebastian is foolish to cling to the antiquated past instead of focusing on the future of jazz.

We see Sebastian at home playing piano. Mia comes home, and Sebastian begins singing (CITY OF STARS) as he plays. Mia joins him on the piano bench and joins in, making the song a duet. As the piano music continues, we see a montage of changes in each of their lives. Mia quits her day job as a barista, and arranges a theater rental for her one-woman show. Sebastian signs with Keith's band, and proceeds to tour and do press events with them. We see that Mia is moving in with Sebastian, and selling some of her stuff, and working on her one-woman show, while Sebastian is out performing. They seem to be growing apart, as Mia is shown staying up late waiting for him, then Sebastian coming in after she's fallen asleep, and then Mia alone in the kitchen the next morning. The montage ends with a flashback of the two of them finishing their CITY OF STARS duet on the piano bench together.

Mia attends a concert for Keith and Sebastian's band, The Messengers. What begins as a jazz song turns into a dance number with samples of jazz elements (START A FIRE). The massive crowd of young people love it as it sounds very modern and radio-friendly. But Mia is surprised that Sebastian doesn't mind selling out when he is so particular in the style of music he loves. She searches his face for disapproval but he kind of shrugs the experience off as a non-issue. As the song and the crowd grows more frenzied, Mia is pushed to the back of the crowd, and fades out of Sebastian's view by the end of the song.

It's now FALL. Mia drives by the Rialto, where they saw ''Rebel Without a Cause'' and notices it's been closed. She emails a handful of people about her show, then on her way home she leaves a message for Sebastian, saying she misses him and that they haven't talked in a while as he's been on the road touring. However, when she gets home Sebastian is there to surprise her, having come back into town for just one night to see her. Over dinner, Mia notes that she hasn't seen him in months and is so glad they're together again. He suggests she joins the band in Boise for their next gig. She politely declines, saying she has to stay in Los Angeles because her show is two weeks away from its opening night. He points out it's a one-woman show and she can rehearse anywhere. She replies that the theater is set up for her in L.A. She notes that she is terrified that it won't go well, noting that while he doesn't seem to have concerns with performing, she has a lot of fear of whether people like her. She asks when the tour ends. He tells her there's no set amount of time but when it's done, they will then begin recording the record and then start another tour to promote the record -- the whole thing could be years. She asks him if he even likes the music they're doing. He is surprised by this and notes that the music is fine. Mia presses that he loves old school jazz. He doesn't understand why she's debating about his band she pressured him to make money to start a club and he went out and did that. She asks why he can't just begin focusing on the club with the money hes already earned. He tells her he's now part of something that is a success and that's what every musician strives for. Sebastian suggests she's surprised that the band would be successful because she suspected it would fail. He then adds that she probably doesn't want him to stay in the band to keep him down on her level (since she hasn't had much success as an actress). She asks if hes serious. He says yes. This moves Mia to tears and she leaves. Sebastian realizes the dinner has been burnt in the oven.

The day comes for Mia's one-woman show. Sebastian has promised to be there since he's in L.A. practicing with his band. As he heads out after practice, Keith reminds Sebastian of the photo shoot they have that night, for the album artwork. Sebastian didn't know it was that night and we realize he's going to miss Mia's show.

Mia performs her one-woman show across town, while Sebastian is photographed by an obnoxious photographer who asks him to bite his lip and lower his glasses to his nose. Mia's show ends and we see that only about ten people are in the audience. To add insult to injury, when she goes backstage, she can overhear people complaining that Mia isn't a very good actress and the show was bad.

Sebastian gets to the theater after it's closed but in time to run into Mia leaving. He apologizes for missing the show. She is upset that no one showed up and has lost faith in herself. She tells him her desire to be an actress was probably just a pipe dream and she's wasted six years of living in L.A., never realizing until now that she wasn't good enough to be an actress. He tries to encourage her but she points out she can't even pay back the theater because she had no ticket sales. She tells him she's got to regroup and is going home. He thinks she means her home in L.A. but she tells him she means home home, a.k.a. Nevada.

Mia drives back to Nevada and moves back in with her family. Inside her childhood home, Mia sees all the acting paraphernalia that decorated her room. Time goes by and Sebastian is in his apartment in L.A. He receives a phone call, someone asking for Mia. He tells her she is no longer accessible. The woman on the phone says she was told that this was the only number she could possibly reach her after she couldn't reach her through her home number. She tells Sebastian she is with Amy Brandt Casting.

In the middle of dinner at her parents' home, Mia is startled when someone outside lays on his car horn. Mia knows who it is immediately as this is how Sebastian would always get her attention. She goes to the window and see Sebastian across the street, with a neighbor yelling at him to be quiet.

Mia joins Sebastian outside. He tells her that a casting director who called him was one of the ten people who had seen Mia's one-woman show and now wants Mia to audition for a movie the next day at 5 p.m. Mia isn't sure if she wants to travel all the way back to L.A. to get her heart broken again. Sebastian tells her hell be outside her home at 8 a.m. if shes there, he'll drive her the five hours to Los Angeles; otherwise, he'll go back without her. She asks how he found her and he points out it's the house across from the library (she had mentioned this in the story about her aunt inspiring her to become an actress).

Sebastian returns the next morning and parks outside of her house but she's not there. He starts to drive away and then Mia steps into frame, telling him she was delayed because she got them coffee. She hops in the car and they drive to California. He takes her to the audition which now is just them in the waiting room, unlike her previous experiences. She is immediately called into the audition room, where both Amy Brandt and her assistant are friendly and happy to see her. Mia is told that the film will have a three-month rehearsal and then a four-month shoot in Paris. There is no script, as they say it will be built around the lead actress, so for her audition, they ask her to tell her a story. She thinks for a bit and then begins to tell them about how her aunt lived in Paris once. This monologue turns into a song, AUDITION (THE FOOLS WHO DREAM), about how Paris is the place for dreamers.

Mia and Sebastian go back to Griffith Park to catch up after their absence from each other. He asks how the audition went but she is afraid to be positive and get her hopes up. Mia asks Sebastian where they are now. He tells her Griffith Park but admits he's joking; he tells her he doesn't know where their relationship stands but he doesn't want to be the one to keep her from her dream. He is confident she will get the part and she has to devote all of herself to the opportunity, just like he did with his music. And that doesn't include him.

We see a palm tree and are told it's WINTER. But then we pull back to see it's actually a scrim with a palm tree and were on the Warner Bros. lot. We're told its FIVE YEARS LATER. Mia goes into the same coffee shop she used to work in. The new manager and employee are a bit star-struck and tell her the coffee's on the house. Like the movie star in the beginning of the film, Mia puts the money she intended to pay for the coffee with in the tip jar and then goes outside to a golf cart, where shes chauffeured to a set. Meanwhile, we see Sebastian in a small jazz club, testing out a recently tuned piano and talking with an employee about how business is.

Mia goes to an expensive home and greets her husband who is revealed to not be Sebastian but David (Tom Everett Scott). She is also shown to have a young daughter now. In another part of town, Sebastian arrives back at his home, where he is clearly better off than he was five years ago, but he does not appear to be living with anyone. He cooks lunch for himself alone.

Later that evening, a babysitter watches Mia and David's daughter, and they go out to an event, supporting a colleague in the industry. We also see Sebastian arriving at his jazz club, walking past a giant poster advertising Mia's newest film on the side of his building. Mia and David get stuck in gridlock traffic with no cars moving, and Mia notes that this is what she doesn't miss about the city, letting us know she's bi-coastal but based mostly in New York. She suggests that David exit the freeway and they go out to dinner instead.

After dinner, Mia is walking to their car but the sound of jazz music convinces David to scope out a nearby jazz club. He asks if Mia wants to check it out and she agrees. As they walk down into the club, Mia sees the name of the club on a neon sign - it says SEB'S. Inside, the club is packed with people as the band is finishing a song. Sebastian goes onstage to welcome the crowd and thank the band. Sebastian notices Mia in the crowd, temporarily losing his cool demeanor. He takes the spot of the pianist and begins to play MIA & SEBASTIAN'S THEME that he was playing when she first saw him. The lights dim on him and he plays, lit only by spotlight. When it's over, the lights come back up and we find him back in the restaurant where she first saw him playing the piano. Once again, Sebastian is fired by his manager (J.K. Simmons) for not sticking to Christmas tunes. He walks towards Mia who tries to compliment him but instead of brushing her off as before, he grabs her and kisses her.

This begins a lengthy epilogue, a ten-minute musical number where Mia and Sebastian dance from one set to another, symbolizing what their life could have been together. It starts with all of the restaurant's patrons and the manager dancing. Then we see them running through scenes of their life, scenes we've seen before, but a little bit better. They're at the jazz club with Keith approaching Sebastian but Sebastian turns him away before he can even say hello. They're at the theater where Mia performs her one-woman show, but the audience is full and they love it, and Sebastian is there cheering for her the loudest. They leave the theater and end up on an empty soundstage, and as they walk along it becomes the soundstage on the Warners Bros. lot with people dancing on a re-creation of the 105/110 interchange while a camera crew films. Amy Brandt appears to bring Mia in for her audition, and she and Sebastian embrace when she gets the part. They're both go to Paris with Mia filming a movie and Sebastian playing jazz. They end up getting married. Now we see them as a couple, with her returning home but it's a more humble abode than her movie star reality. Instead of David and her daughter, it's Sebastian and her son. They leave the baby with a babysitter and end up in the same gridlock traffic. Mia now suggests to Sebastian that they pull off the highway and go to dinner instead. She stops by their parked car but he leads her into the jazz club. They find the same seats that Mia and David found but now it's Sebastian next to her while they watch a pianist play on the stage. Sebastian and Mia seem closer and more affectionate than she does with David. But then the song ends and she's next to David with Sebastian onstage at the piano -- it was all a fantasy.

The crowd applauds, loving the song. David asks Mia if she wants to stick around for another. She contemplates the question but then finally says no. The two leave and she pauses at the door, looking back to make eye contact with Sebastian. He looks at her, and then very slightly smiles and nods his head. She smiles back at him, and turns to leave. Sebastian takes a moment, then begins playing with his band.

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